On the Miami soul scene Betty Wright is the first name that springs to everyone’s mind, but Helene Smith was there first and, in the opinion of a few knowledgeable fans, could give her more famous sister a good run for her money. Although Helene’s voice could sound rather insipid on some of the more poppy arrangements that her writers/producers asked her to sing in front of, when given a decent ballad to interpret, she was able to let go with both power and passion. On ‘Willing and Able’ Helene sounds mature, getting a good grip on the slow beat, aided by the way Clarence Reid hammers away at the piano and the drummer really slams his bass drum. The superb deep soul of ‘Wrong or Right He’s My Baby’, and the funky ‘You Got to Be a Man’ with its JB horn line, confirmed her growing confidence. But her one true masterpiece was the much heralded ‘A Woman Will Do Wrong’, with Reid’s idiosyncratic piano lines and one of the most delayed backbeats ever to come out of Miami. As the decade closed Helene found herself less in demand, but she did make a comeback of sorts with a couple of fine singles in 1973. The best of these was the heartfelt plea ‘Help Me to Keep What I’ve Got’ on which Helene sounds even better than on her earlier material. Her voice is pitched in a lower register, overcoming the major criticism she’s faced of sounding too much like a little girl to be a true southern soul queen. We really could have done with more in this vein from her in the ‘70s but sadly it was not to be. http://www.sirshambling.com/ ee
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http://rapidshare.com/files/209772494/Helene_Smith_-_Sings_Sweet_Soul___1964-1972_.rar
wonderful music, thanks
have a look on http://www.funkmysoul.gr for the Kimberley Briggs - Passing Clouds.
Excellent blog.
Have found the Stovall Sisters on
http://www.originalsoul4life.
blogspot.com
hope that helps.....
Many thanks for the info scottdavida!!
Many Thanks!
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